Scott Bradlee's Postmodern Jukebox
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How did Miley Cyrus’ “We Can’t Stop” become a ’50s-style doo-wop number? Since when was Meghan Trainor’s “All About That Bass” about an upright bass fiddle? At what point did Macklemore’s “Thrift Shop” evolve into a ’20s hot jazz tune? And whose idea was it to rework Lorde’s “Royals” into a polished ballad sung by a sad clown?
It’s all part of the topsy-turvy world of Postmodern Jukebox, an ongoing musical project spearheaded by pianist and arranger Scott Bradlee, who takes contemporary pop andView more
Contact: (916) 808-5181
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1301 L Street, Sacramento, CA 95814, Sacramento, CA